TOWLER WEESE
TOWLER WEESE

       Design practice: selected publications

2020–
Constantine Petridis, The Language of Beauty in African Art. The Art Institute of Chicago, 2021. 340 pages.
Negarra A. Kudumu, Art In Embassies Exhibition: United States Embassy Harare. U.S. Department of State, 2021. 76 pages.

2019–
Eric Mumford, Michael Conforti, et al., Ando and Le Corbusier. Alphawood Foundation, 2021. 376 pages.

2019–20
Frederic J. DuParc, Dutch and Flemish Masterworks from the Rose-Marie and Eijk Van Otterloo Collection. Museum of Fine Arts, Boston, 2020. 160 pages.

2019    
Carol Cadou, Winterthur Museum, Gardens, and Library Guidebook.  Winterthur Museum, 2019. 112 pages.

2018–19
Jed Morse, Sterling Ruby: Sculpture. Nasher Sculpture Center, 2019. 120 pages.
Elizabeth Hutton Turner and Austen Barron Bailey, Jacob Lawrence: the American Struggle. Peabody Essex Museum, 2020. 200 pages.
Jed Morse, Barry X Ball: Remaking Sculpture. Nasher Sculpture Center, 2020. 116 pages.
David Bomford, Vincent Van Gogh: His Life in Art. Museum of Fine Arts Houston, 2019. 224 pages.

2017–19
Catherine Craft, The Nature of Arp. Nasher Sculpture Center, 2018; Peggy Guggenheim Museum, Venice, 2019. 236 pages.

2017–18
Tony Berlant and Thomas Wynn, First Sculpture: Handaxe to Figure Stone. Nasher Sculpture Center, 2018. 228 pages.
Janice Katz, Painting the Floating World: Ukiyo-e Masterpieces from the Weston Collection. The Art Institute of Chicago, 2018. 320 pages.

2016–17
Robert Sharoff and Bill Zbaren, John Vinci: Life and Landmarks. Alphawood Foundation, AIA Chicago, and Northwestern University Press, 2017. 216 pages.

2015–16
Gloria Groom, Van Gogh’s Bedrooms. The Art Institute of Chicago and Yale University Press, 2016. 166 pages.
Harry Halff, Elizabeth Halff, Emily Ballew Neff, Julian Onderdonk: A Catalogue Raisonné. Museum of Fine Arts Houston, 2016. 388 pages.

2014–15
Jan van Campen and Karina H. Corrigan, Asia in Amsterdam. Rijksmuseum and Peabody Essex Museum, 2015. 356 pages.
Catherine Craft, Melvin Edwards: Five Decades. Nasher Sculpture Center, 2015. 228 pages.

2014
Harry Cooper, Make it New: Abstract Painting from the National Gallery of Art, 1959–1975. The Clark Art Institute and Yale University Press, 2014. 164 pages.
Yves Alain Bois and Sarah Lees, Monet/Kelly. The Clark Art Institute and Yale University Press, 2014. 96 pages.
John C. Welchman, Mark Grotjahn Sculpture. Nasher Sculpture Center, 2014. 48 pages.
Kimberly Nichols and Susan Canning, James Ensor ­– The Temptation of Saint Anthony. The Art Institute of Chicago and Yale University Press, 2014. 144 pages.

2013   
Terry Ann Neff, Susumu Nakamura, and Ivan Watters, Bonsai – A Patient Art. Chicago Botanic Garden and Yale University Press, 2013. 266 pages.
Jay A. Clarke, editor, The Impressionist Line from Degas to Toulouse Lautrec – Drawings and Prints from the Clark. The Clark Art Institute and Yale University Press, 2013. 160 pages.
Emily Ballew Neff and Kaylin Weber, American Adversaries – West and Copley in a Transatlantic World. Museum of Fine Arts Houston and Yale University Press, 2013. 272 pages.
Catherine Craft, Katharina Grosse – Wunderblock. Nasher Sculpture Center, 2013. 48 pages.
Jed Morse, Catherine Craft, Dakin Hart, and Marin Sullivan, Return to Earth – Ceramic Sculpture of Fontana, Melotti, Miró, Noguchi, and Picasso, 1943–1963. Nasher Sculpture Center, 2013. 228 pages.
Tumelo Mosaka and Irene V. Small, Blind Field. Krannert Art Museum, 2013. 148 pages.



2012   
Jay A. Clarke, editor, Landscape, Innovation, and Nostalgia – The Manton Collection of British Art. The Clark Art Institute and Yale University Press, 2012. 312 pages.
Yasufumi Nakamori, Utopia/Dystopia – Construction and Destruction in Photography and Collage. Museum of Fine Arts Houston and Yale University Press, 2012. 116 pages.
Jed Morse, Ernesto Neto – Cuddle on the Tightrope. Nasher Sculpture Center, 2012. 48 pages.
Karen Kramer Russell, Shapeshifting – Transformations in Native American Art. Peabody Essex Museum and Yale University Press, 2012. 248 pages.

2011
Jed Morse, Tony Cragg – Seeing Things. Nasher Sculpture Center, 2011. 112 pages.
Peter Kort Zegers and Douglas Druick, Windows on the War – Soviet TASS Posters at Home and Abroad, 1941–1945. The Art Institute of Chicago and Yale University Press, 2011. 400 pages.
Zoë Ryan, Alison Fisher, Elizabeth Smith, and Sarah Whiting, Bertrand Goldberg – Architecture of Invention. The Art Institute of Chicago and Yale University Press, 2011. 192 pages.
Lelia Amalfitano and Judith Hoos Fox, The Strange Life of Objects – The Art of Annette Lemieux. Krannert Art Museum, 2011. 232 pages.

2010   
Peter C. Marzio, American Art and Philanthropy – Twenty Years of Collecting at the Museum of Fine Arts. Museum of Fine Arts Houston and Yale University Press, 2010. 388 pages.      
Nancy Berliner, The Emperor’s Private Paradise – Treasures from the Forbidden City. Peabody Essex Museum and Yale University Press, 2010. 256 pages.
Daniel Finamore and Stephen Houston, Fiery Pool – The Maya and the Mythic Sea. Peabody Essex Museum, 2010. 328 pages.

2009
Vince Aletti and Britt Salvesen, Look at Me – Photographs from Mexico City by Jed Fielding. University of Chicago Press, 2009. 144 pages.
Kevin Sharp, Bold, Cautious, True – Walt Whitman and American Art of the Civil War Era. The Dixon Gallery and Gardens, 2009. 180 pages.
Jed Morse, Jaume Plensa – Genus and Species. Nasher Sculpture Center, 2009. 80 pages.
Etta Arttzen, Krannert Art Museum – Selected Works. Krannert Art Museum, 2009. 360 pages.
Judith Hoos Fox and Ginger Gregg Duggan, Under Control. Krannert Art Museum, 2009. 54 pages.

2008
Martha Tedeschi, Kristi Dahm, Judith Walsh, and Karen Huang, Watercolors by Winslow Homer – The Color of Light. The Art Institute of Chicago, 2008. 228 pages.
Judith Hoos Fox, Ginger Gregg Duggan, Dave King, and Tony Leggett, Blown Away. Krannert Art Museum, 2008. 192 pages.

2007
Judith Hoos Fox, Ginger Gregg Duggan, and Daniel Thomas Cook, Branded and On Display. Krannert Art Museum, 2007. 112 pages.         

2006   
Laurie Winters, Hans Ottomeyer, Hans and Klaus Albrecht Schroder, Biedermeier – The Invention of Simplicity. Milwaukee Museum of Art and Hatje Cantz, 2006. 400 pages.
Carol Ehlers and Thomas Heagy, One of a Kind – Portraits from the LaSalle Bank Photography Collection. LaSalle Bank, 2006. 120 pages.

2005   
Carol Ehlers, John Szarkowski, and Thomas Heagy, Chicago Photographs. LaSalle Bank, 2005. 120 pages.
Albright-Knox Art Gallery, Beyond/In Western New York 2005, 2005.

2004   
Donald Fennimore, Iron at Winterthur. Winterthur Museum, 2004. 432 pages.
Adam Brooks, Dave Hickey, and Judith Russi Kirshner, Subjective Realities. The Refco Group, 2004. 272 pages.

2003
Robert Lehrman, Lynda Roscoe Hartigan, Walter Hopps, and Richard Vine, Joseph Cornell – Shadowplay Eterniday. Thames and Hudson, 2003. 272 pages.
Carol Ehlers, Rineke Dijkstra – Beach Portraits. LaSalle Bank, 2003. 72 pages.

2002   
Andrea Codrington and Darcy Cosper, 365 – AIGA Year in Design 22. American Institute of Graphic Arts, 2002. 496 pages.
David Travis and Elizabeth Siegel, Taken by Design – Photographs from the Institute of Design, 1937–1971. The Art Institute of Chicago and University of Chicago Press, 2002. 272 pages.
Laurie Winters and Dorota Folga-Januszewska, Leonardo da Vinci and the Splendor of Poland. Milwaukee Museum of Art and Yale University Press, 2002. 328 pages.
Sarah Anne McNear and Thomas Heagy, Barbara Crane – Chicago Loop. LaSalle Bank, 2002. 64 pages.



2001   
Donna Gustafson, editor, Images from the World Between – The Circus in Twentieth-Century American Art. American Federation of the Arts and MIT Press, 2001. 184 pages.
Tracey Bashkoff, On the Sublime – Mark Rothko, Yves Klein, James Turrell. Guggenheim Museum, 2001. 136 pages.
Barbara Buhler Lynes and Russell Bowman, O’Keeffe’s O’Keeffes – The Artist’s Collection. The Milwaukee Museum of Art, 2001. 160 pages.

2000   
Neal Benezra, Olga Viso, and Hubertus Gassner, Regarding Beauty – A View of the Late Twentieth Century. The Hirshhorn Museum and Distributed Art Publishers, 2000. 232 pages.
Donald Fennimore and Patricia Halfpenny, Campbell Collection of Soup Tureens at Winterthur. Winterthur Museum, 2000. 272 pages.
Jay Pridmore, Northwestern University – Celebrating 150 Years. Northwestern University Press, 2000. 280 pages.
Oak Park Historic Preservation Committee, A Guide to Oak Park’s Frank Lloyd Wright and Prairie School Historic District. Village of Oak Park, 2000. 144 pages.
Joel Bartsch, Kremlin Gold – 1000 Years of Russian Gems and Jewels. The Field Museum and Harry N. Abrams, 2000. 206 pages.
Douglas W. Druick and Peter Kort Zegers, Van Gogh and Gauguin – The Studio of the South. The Art Institute of Chicago and Thames and Hudson Press, 2001. 418 pages.

1999   
Francis Naumann, Marcel Duchamp – The Art of Making Art in the Mechanical Age. Ludion Publishers and Abrams, 1999. 332 pages.
Stephen Little, Spirit Stones of China – The Ian and Susan Wilson Collection of Chinese Stones, Paintings, and Related Scholars’ Objects. The Art Institute of Chicago and University of California Press, 1999. 112 pages.

1998   
Denise Miller, Photography’s Multiple Roles – Art, Document, Market, Science. The Museum of Contemporary Photography, 1998. 254 pages.
Sylvia Wolf, Stephanie Lipscomb, Debra Mancoff, and Phyllis Rose, Julia Margaret Cameron’s Women. The Art Institute of Chicago and Yale University Press, 1998. 244 pages.
Philippe Desan and Mark Wolff, Literary Objects – Flaubert. The David and Alfred Smart Museum of Art and University of Chicago Press, 1998. 64 pages.     
Martha Tedeschi, Kevin Sharp, Nicholas Smale, Harriet Stratis, and Nesta Spink, The Lithographs of James McNeill Whistler – A Catalogue Raisonné. The Art Institute of Chicago and Hudson Hills Press, 1998.
Laura Letinsky and Elizabeth Bloom, Space/Sight/Self. The David and Alfred Smart Museum of Art and University of Chicago Press, 1998. 76 pages.
J. Logan Ward, An Explorer’s Guide to the Field Museum. Field Museum of Natural History, 1998. 64 pages.
Stephanie D’Allesandro, Still More Distant Journeys – The Artistic Emigrations of Lasar Segall
The David and Alfred Smart Museum of Art and University of Chicago Press, 1998. 284 pages.
Louise Rosenfield Noun, Christopher D. Roy, Franz Schulze, and Amy Worthen, The Des Moines Art Center – An Uncommon Vision. The Des Moines Art Center and Hudson Hills Press, 1998. 336 pages.

1997
Dawn Ades and Adam Jolles, Surrealist Art – The Lindy and Edwin Bergman Collection at the Art Institute of Chicago. The Art Institute of Chicago and Thames and Hudson Press, 1997. 246 pages.
Anna Friedman, Awestruck by the Majesty of the Heavens – Artistic Perspectives from the History of Astronomy Collection. Adler Planetarium, 1997. 40 pages.

1996   
Lynne Warren, editor, Art in Chicago, 1945–1995. The Museum of Contemporary Art and Thames and Hudson Publishers, 1996. 312 pages.
Donald Fennimore and George Fistrovich, Metalwork in Early America – Copper and Its Alloys from the Winterthur Collection. Winterthur Museum, Wilmington, DE, 1996. 472 pages.

1995
Mary Jane Jacob, Michael Brenson, and Eva Olson, Culture in Action – A Public Art Program of Sculpture Chicago. Bay Press, 1995. 144 pages.

1994   
Douglas W. Druick and Peter Kort Zegers, Odilon Redon – Prince of Dreams, 1840–1916. The Art Institute of Chicago and Harry N. Abrams, 1994. 464 pages.

1992   
Robert Adams Ivy Jr, Fay Jones: The Architecture of E. Fay Jones, FAIA. AIA Press, 1992. 224 pages.